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Composition for Tuba and ...
Forum: Performances, compositions and presentations with Hayward Tuning Vine
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2022-11-16, 13:45:47
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Memory Chords
Forum: Performances, compositions and presentations with Hayward Tuning Vine
Last Post: Robin
2022-05-21, 14:01:56
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5-limit lattice extension
Forum: Ideas and suggestions
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Canon project with tuning...
Forum: Performances, compositions and presentations with Hayward Tuning Vine
Last Post: Robin
2021-11-14, 06:51:26
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Zinc & Copper play Well T...
Forum: Performances, compositions and presentations with Hayward Tuning Vine
Last Post: Robin
2021-11-07, 19:24:01
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music made with Tuning Vi...
Forum: Performances, compositions and presentations with Hayward Tuning Vine
Last Post: hiljef
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Performance options
Forum: Ideas and suggestions
Last Post: moab_bot
2021-07-25, 20:12:19
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Compositions on my YouTub...
Forum: Performances, compositions and presentations with Hayward Tuning Vine
Last Post: Simon Martin
2021-07-13, 13:18:08
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Conference
Forum: Performances, compositions and presentations with Hayward Tuning Vine
Last Post: Simon Martin
2021-06-29, 13:47:04
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Audio device not working
Forum: Support and bug reports
Last Post: Robin
2021-04-12, 15:55:07
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Tuning Vine Workshop in Berlin, 14.06.15 |
Posted by: Robin - 2015-04-03, 08:43:59 - Forum: Workshops and events
- Replies (1)
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http://ausland-berlin.de/hayward-tuning-vine-workshop
One-day introductory workshop on Tuning Vine software to be held at Ausland, Lychnerstrasse 60, 10437 Berlin.
Participation fee
60€, which includes a free copy of the Hayward Tuning Vine software (or 40€ if you already own a copy). Upon registering participants will receive an email containing a licence to download the full version of the software.
Registration
Please preregister by sending an email to hayward@tuningvine.com with the subject line 'Ausland workshop 14.06.15'. Any questions concerning the workshop should also be sent to this email address. The maximum number of participants is 12, and the minimum number 6. Please register by June 13th at the latest.
Workshop details*
Session 1, Sunday June 14th, 11:00 – 14:00
The Hayward Tuning Vine as an introduction to Just Intonation.
• demonstration of connection between ratios and musical intervals for prime
numbers 2, 3 and 5
• significance of prime numbers for Just Intonation
• notation cards: colour notation, ratios, cents
• 'Flowers' versus 'Grapes' view
• number boxes and transpositions
• MONO / POLY modes
• Options, Master Volume and parameter controls
• working up through prime numbers 7 to 23
• undertone row as mirror image of overtone row
Session 2, Sunday June 14th, 15:00 – 18:00
The Hayward Tuning Vine as a practical aid to tuning in Just Intonation.
• tuning 'Pythogorean' intervals: octaves, fifths and fourths
• tuning 'Ptolemaic' intervals: major and minor thirds and sixths
• significance of octave positioning for tuning intervals
• locating common overtones on the Vine when tuning intervals
• challenge of playing Just Intonation on acoustic instruments
• tuning septimal 'blues' intervals
• tuning 'prime-limit 7' chords based on prime numbers 2, 3, 5 and 7
* This plan is meant as a guide only and the actual workshop may deviate from it to some extent.
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Rotating harmonic space with respect to the vine |
Posted by: Marc John - 2014-10-13, 15:25:24 - Forum: Ideas and suggestions
- Replies (1)
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I'd like firstly to record my admiration for Robin Hayward's invention. It opens up harmonic space in a beautiful way.
Here a suggestion that may have occurred to a few users already: it would be possible to introduce, alongside the transpose feature, the ability to -rotate- the vine through harmonic space or, equally, to rotate the harmonic space in relation to the vine.
To explain: I can pick up a cube off the table and rotate it through 90 degrees around any one of 3 axes, so that when i put it down again the corners that are now touching the tabletop are different to the ones that were initially touching it.
Just so, one could add to the software the ability to rotate the represented 9-dimensional harmonic space around one of its axes. The result would be that different pitches -and- different pitch-relationships would come to lie in the main lattice usually occupied by light blue and grey balls and struts.
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